
Last modified: 2005-04-16 by antónio martins
Keywords: canton: union jack | asafo | company | nº1 | road close | rooster | hen | car | tree | dead | elephant | crab | checkers | dragon | nº2 | rainbow | gong | bell | key(white) | padlock | lion | hen | star: 8 points (white) | shark | nº3 |
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![[Game of Checkers]](../images/g/gh_as-71.gif)
An abstract flag with a Union Jack in the canton. The border contains
narrow Black and White fields, which makes the static patterns moving somehow. The
chessboard is a secret code for a scene in which two opponents play a
startegic boardgame. Like the African Oware-game the Game of Checkers is
a metaphore for war. Images of checkers-players are known in the Asafo
iconography.
The way the Union Jack is made points at the same maker as flags 23-25
and 72.
Jarig Bakker, 06 Jan 2000, quoting
[gru95]
![[Dragon]](../images/g/gh_as-72.gif)
This dragon is a remarkable formal representation of the proverb: "He
can fly and penetrate the earth, he can go whereever he wants to go."
Wings and arrow-pointed tail point at his exceptional capabilities. As a
total figure the Dragon has been turned towards the left; the way in
which wings and legs are related look like two figures, who travel in
the opposite direction than the Dragon. So: a-a watch it!: the Dragon
can travel in any direction!
Jarig Bakker, 06 Jan 2000, quoting
[gru95]
![[Three gong-gongs]](../images/g/gh_as-73.gif)
Three gong-gongs as symbol for the state of alarm of the company is
combined on this flag with the image of a Posuban-shrine, from which a
rainbow ascends. This rainbow is a symbol for death, for like the
rainbow folds itself around someone's neck, so is death the fate which
threatens us all.
The company underlines with this symbol the deadly danger it presents to
its enemies.
Jarig Bakker, 07 Jan 2000, quoting
[gru95]
![[Woman worriers]](../images/g/gh_as-74.gif)
A big man evades frightened a group of armed women. The scene
illustrates the power of a company by the revelation of force of its
weakest members: the women: «When even our women have been prepared for
war, what are our men capable of?» This theme is not uncommon; it is to
be found equally on flags and Posuban-shrines.
Stylistically this flag is related to those from the workshop of Ekotsi;
there are some differences in the proportioning and the Union Jack has
been depicted differently.
Jarig Bakker, 04 Jan 2000, quoting
[gru95]
![[Posuban-shrine with Rainbow]](../images/g/gh_as-1.gif)
Most flags of of the Asafo-companies can easily be handled by a
flag-dancer (Frankaatunyi or Frankaakitsanyi) during a
festival or a
ceremony with a spectacular dance-performance. Very few flags are so big
that they have to be escorted by many men, or to be presented at a
company-post (Aban or Posuban). This is one of the last: In the lower
half to the hoist is the company number, the
Lion and the cock. On top of that a rainbow arising from a Posuban.
Quite remarkable is that the posuban literally jumps out of the flag...
The rainbow reaches into the right (black) half. In the center of that
field one observes the symbol, which is most powerful among the
Akan-people: Key and Lock ("We are Lock and Key of the State" — we are
in control of the state). The eight-pointed star
Nsoromma completes the claim of control: starlight is seen as
light emanating from the Gods.
Jarig Bakker, 04 Jan 2000, quoting
[gru95]
![[Scales of the dead]](../images/g/gh_as-75.gif)
Weighing always implies comparison. When the Sahohen puts a fallen
warrior on a scale, he evokes revenge, for «no head weighs as much like
the one on the scales: the losses on your own side always weigh the
heaviest.»
The whole background of this flag was restored with the same tissue as
the old silk, which had been used until it was worn out.
Jarig Bakker, 04 Jan 2000,
quoting [gru95]
The warrior on the left holds the scales in his left hand; the scales
consist of thin white lines: top a horizontal line, from which depend
two pyramides, left and right, which both and in disks with three
concentric circles. Between the pyramids are small yellow objects. The
bottom foot of the fallen warrior is on top of some yellow objects.
Thanh-Tâm Lê, 04 Jan 2000
![[Scales of the dead]](../images/g/gh_as-78.gif)
A man climbs a tree.
The elders of the Fante say, when they see the image of a man climbing a
tree: «When a deceiving man tells you to climb a tree, you have to tell
him to climb it first. If he finds a comfotable spot you can follow
him». The proverb warns for deceit and admonishes the company to healthy
distruct regarding rival companies. When you look at the birds as well
you can learn a message: «When a hen stays too long in a house it
becomes red (because of dust and earth)».
Jarig Bakker, 04 Jan 2000,
quoting [gru95]
1st figure on the left: white with Sampras-style short red trowsers;
2nd figure: white with red stick (sword?)
tree has red papayas between first and second leaf left and right and on
the ground right of the tree; small man (or monkey?) is climbing the
tree.
Thanh-Tâm Lê, 04 Jan 2000
![[Shark nº3]](../images/g/gh_as-s3.gif)
I am an avid collector of Fante Asafo flags from Ghana. I have one with
a basking shark image, which does not exist off the coast of Ghana: The flag
is quite simple, but it is also quite large and if that isnʼt a Basking
Shark I canʼt imagine what it is. (I have one other flag that uses a
shark as a symbol but it is just a regular shark — eating a rival
company member, of course!)
Steve Messick, 08 Jan 2002
The drawing is pretty stylized, as should be, flagwise, but it looks
like a Rhincodon typus (the fins are not entirely correct, though:
thereʼs a ventral fin missing, right below the second dorsal fin; also,
the first dorsal should be noticeably larger than is shown on the flag
— but its a good approximation).
Jorge Candeias, 09 Jan 2002
![[Taysec]](../images/g/gh_as-tw.jpg)
To create the Taysec “Asafo Company Nº1” flag, the flag
makers of the Fante Region have taken the
Taysec corporate logo and translated
it within the context of the art of the Asafo warrior tradition. The lion
represents the strongest animal — the king of the jungle — and,
as such, the great protector. The Asafo company protects its interests and
the interests of those dependent upon it. The two teams of four fishermen
drawing in the drag-net symbolise the power of pulling together, as reflected
in Ghanaʼs Independence maxim, «Strength in
Unity», and in Taylor Woodrowʼs strong team culture.
The drag-net has turned up a catch of technological images to signifying the
ability of the company to catch the biggest prize and overcome its rivals.
The split Ghana and Union flags
refer to Taysecʼs Anglo-Ghanaian origins and the strong partnership
between Britain and Ghana.
Dov Gutterman, 27 May 2002,
quoting from
http://www.taysec.com.gh/50_years/mn_flag.htm
![[Elephant and crab]](../images/g/gh_as-02.gif)
![[Highway patrol]](../images/g/gh_as-hw.jpg)
This flag is hard to describe, but here goes: a colourful fringed flag
with a Union Jack in the canton. Part of the border is fringed with an
unusual green and white geometrical pattern. There is a large human?
figure below the Union Jack, gesturing? at a gate? with a padlock? Behind the
gate is another figure by a car. Above the gate in a black field are
the words in white capitals ROAD CLOSE.
David Cohen, 21 Jun 1998
This flag was yellow in color, with white fringe around 3 sides. In the
left corner was a sort of Union Jack... however, this UJ had no blue, only
the white spaces where the St. Andrew should be, with a red St. Georgeʼs
cross, as it should be. The red was faded and sort of look pink.
In the field there was a representation of a Rooster in black with the
crown (?) on top of in red (faded to pink). In the lower right fly was the
number, in white, "No.1". The "No.1" was sewen on both sides of the flag to
read correctly.
Steve Stringfellow, 10 Aug 1998
The "Nº1" reefers to the company number and the rooster or
“Clock bird” is a symbol of authority and power, i.e.,
he is the one who decides when things are done.
James Ferrigan, 10 Aug 1998